福尔摩斯：基本演绎法 第二季

      先说一个热点话题，就是美剧版和BBC之间的比较。
      BBC版的福尔摩斯，是一个让人只有仰着脖子在内心感叹“牛逼”的作品。牛逼的福尔莫斯，牛逼的编剧，牛逼的摄影！
      美剧版的福尔莫斯，则是个让人窝心却又纠结的故事，尤其是刘玉玲演的华生。

      毫无疑问，BBC版的是最具有原著风格的改编，而美剧版的则是最和现代人心态贴近的改编。
     
      而美剧版的改编最大的亮点在华生。她不再是神旁边的木偶，而是充满了灵魂。她洋溢着女性的与生俱来的优点--宽容善良的母性，同时她对福同学有着深厚的信任感和好奇心（爱情的基础），并且非常性感！
      这样的已知条件出现，一般男人都早已按耐不住的滚床单了，但是他俩竟然目前还保持了克制。尤其是福同学认为华生想和山寨版的福同学滚床单那段。

      对此剧我有着极强的带入感——就是想和华生滚床单，但是却只能看着两人在那边天雷擦着地火的戏码。于是我就成了华生的脑残粉了
    
      

精选集（持续更新）：
http://www.xiami.com/song/showcollect/id/25238962

（这一季除了Exit Music，插曲也很精彩呢）

E1：
The Village -Tunng
Hello - Oasis
London Calling - The Clash
The Son Never Shines (On Closed Doors) - Flogging Molly
Follow Follow - Tunng

E2：
Sea of Air - Portugal. The Man

E3：
The Load - Barbarossa

E4:
State of the Art (A.E.I.O.U.) - Jim James

E5(无)

E6:
Heal - Tom Odell

E7:
Ante up - AgesandAges（新歌，暂未发行）
Follow My Feet - The Unlikely Cadidates

E8：
Unofferable - Half Moon Run

E9：
Time Is on My Side -- The Rolling Stones

E10(无)

E11：
Hurt -- Johnny Cash

E12：
The Crooked Kind -- Radical Face

E13：
On the Other Side -- The Rocketboys

E14：
Better Now -- The Vespers

E15(无)

E16：
Bad Day -- Daniel Powter

E17：
Confidence -- The Dodos

E18：
Walking With The Beast -- Primal Scream

E19：
Rudie Can't Fail -- The Clash
Break The Walls -- Fitz and The Tantrums
Leave It Alone -- Broken Bells

E20:
Wrapped In My Memory -- Shawn Smith

E21:
Never Be That Tough -- Simone White

E22:
Fall In Love -- Phantogram

E23:
Escape Artist -- Zoe Keating

E24(无)

 


EP的日记
EP的主页




[存档]Steven Moffat - Elementary has changed Sherlock Holmes too much


The co-creator of BBC1’s Sherlock suggests the Jonny Lee Miller series is too far removed from the original storiesComments Share this episode
 
Written By Paul Jones





The new show, currently in production for American network CBS, brings Jonny Lee Miller’s detective to modern-day Manhattan, alongside Lucy Liu’s female Watson. And Moffat, who together with Mark Gatiss brought Sherlock Holmes up to date for the BBC, says it could be a step too far.

“What we did with our Sherlock was just take it from Victorian times into modern day," he said. "[Elementary has] got three big changes: it's Sherlock Holmes in America, it's Sherlock Holmes updated and it's Sherlock Holmes with a female Watson. I wonder if he's Sherlock Holmes in any sense other than he's called Sherlock Holmes.”

Moffat even had some suggestions as to how CBS might have gone about the job better: “It's almost like they should have made Watson a woman but kept the show in Victorian times... that would actually be quite interesting," he told TheInsider.com. [摩法特果然灵光！]

Moffat will at least be relieved to discover that Elementary does not follow Sherlock too closely, since he and the show’s executive producer, his wife Sue Vertue, initially expressed concerns when the US series was announced.

Having turned down an offer from CBS to be involved in an American version of Sherlock, they had been worried that Elementary would be just that.

"It's a slightly odd situation because [CBS] approached us to do an adaptation and we declined, then, coincidentally, they announced they were doing an updated version of Sherlock Holmes," said Moffat.

And although he says Elementary is different from Sherlock, he still has misgivings [we all have such misgivings---唉！] about the effect it might have on the Sherlock Holmes legacy: "I don't want it to sound like Mark [Gatiss] and I don't want other people to try this. We welcome it, but don't damage the brand," he said.

source
福尔摩斯不是你家的好吗？指手画脚真的合适？另外转载的作者：他灵光个脑袋？正因为在21世纪所以女性是完全可接受的，道尔当年当然也可以写女医生，不过当时流行的就是同性朋友间情谊（看其他文学作品即知）。就和化学反应的那个活化能模型一样，“21世纪”就是那个峰值，随后的女性啊，执照问题啊，都是顺理成章的。而19世纪与女性是反的，结合在一起反而不稳定。MOFFUCKER你提这个蠢建议是吃英国菜吃多了吗？而且你总关注性别这种原始的问题算个鬼？还有刘华生比你家那位小媳妇性格成天只打听福的情感问题的爷们了更配得上并肩战友的称谓你怎么不说？再有你们有资格说CBS吗？人家在87年和94年就拍完两部现代福+女华生了，那时候你们还在吃翔吧？再再有，一副“现代福是我们的创意”的高姿态不能更讨厌，不说更早的，你将BR福置于何处？

I often wonder if I should have been born in another time.

My senses are unusually...well, one could even say unnaturaly...keen.

And ours is anera of distraction.

It's...a punishing drumbeat of constant input.

This is cacophony which follows us into our homes and into our beds and seeps into our...into our souls, for want of a better word.

For a long time...there was only one poultice for my raw nerve endings, and that was...copious drug use.

So in my less productive moments, I'm given to wonder...if I'd just been born when it was a little...quieter out there, would I have even become an addict in the first place?

Might I have been more focused?

A more fully realized person?

(What like Ancient Greece?)

 You any idea what passed for dental care in the Hellenic era?

No, no I'd...I'd want some of the wonders of modernity.

Just before everything got...amplified.

(Something like what? 200 years ago?)

是一点对自己身处时代的感慨，有感于周遭嘈杂的环境，这个浮躁的社会，所带来的各种“疾病”

当与千呼万唤始出来的BBC夏洛克第三季比较之后，才深深感觉此剧的朴实，一集一个脚印的侦破案件，这才是侦探剧应有的节奏。侦破是这类剧的灵魂，每一集侦破才是主线，而不是侧重那些被无限放大的情感上，基本演绎法最出色的是在每集案件侦破后画龙点睛的刻画一些情感，不喧宾夺主，而恰到好处。还是喜欢这种正常的侦探剧，在被BBC第三季打击过之后，着实感觉美版的各种优点。

追到第二季有点明白为什么要性转了,虽然只是个人观点.
主创人员给自己挖了个坑,设了一个突破自我的障碍,那就是一直强调的:福华永远不会产生爱情.
性转之后做到没有爱情没滚床单,则充分演绎了福华之间的友谊并高于友谊的那种感情.
不是说男男不能表达这层友谊关系,原著当然能表达,且表达的很好,而是摆在当今社会的现代版的福尔摩斯,男男如果没有爱情没滚床单(喂)剩下的是基情.
所以主创人员可谓把爱情与基情的可能性都砍得一干二净了,为了体现福华那种感情的存在.
剩下就要看编导如何把握节奏,充分发挥这个设定的意义了.