锅盖头

「So, now my hands were dick skinners. A flashlight was a moonbeam. A pen was an ink stick. My mouth was a cum receptacle. A bed was a rack. A wall was a bulkhead. A shirt was a blouse. A tie was still a tie, and a belt a belt. But many other things would never be the same.」



「Bobby McFerrin — ♫Don't Worry Be Happy♫」



「Now to the rest of you, do you have what it takes to be the meanest, the cruelest, the most sadist unforgiving mother fuckers in God's cruel kingdom?
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Yes, Staff Sergeant.
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Will you be able to one day say, "Yea, though I walk through the valley of the shadow of death, I will fear no evil, because I am the baddest mother fucker in the God damn valley?"
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Yes, Staff Sergeant.
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We shall fucking see.」



「Details, gentlemen, details! Details is gonna be the difference between you killing your target and your target killing you. We've all been taught that, "Thou shalt not kill." But hear this:"Fuck that shit!"」



「I've been around these old white fuckers all my life. They got their fat hands in Arab oil. The motherfuckers drink it like it's beer. That's why we're here, to protect their profits.
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- You're full of shit.
- He's full of shit.
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Who do you think gave Saddam all his fucking weapons? We did!」



「The price of crude oil has nearly doubled. President Bush sends in more troops. Us, six times a day, we gather for formation. And we hydrate. We patrol the empty desert. And we dehydrate. We throw hand grenades into nowhere. We navigate imaginary minefields. We fire at nothing. And we hydrate some more. And we look north, towards the border and we wait for them. This is our labor. We wait.」



「Now, here are the rules. When you talk to these reporters, you do not get specific. Tell them that there's no better shooters in the world than Marine snipers. Tell them that you're happy to be here. You're proud of the mission. All right? And you can't wait to mash the fuck out of these Iraqis. Anything other than that comes out of your mouth... I get fucked up. And if I get fucked up, I'm gonna fuck you up. Take your shirts off. Show your muscles. You've been working out.
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This is censorship.
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This is what?
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-Censorship. You're telling us what we can and can't say to the press. That's un-American.
- Yeah, what about freedom of speech? The Constitution?
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No, you signed a contract. You don't have any rights. You got any complaints, you complain to Saddam Insane... and you see if he gives a fuck.
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Why, that's exactly what Saddam Hussein does. You're treating us the same way.
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You are a Marine. There's no such thing as speech that is free. You must pay for everything that you say.」



「We turned the inside of our tent into a circus. 'Cause inside of our circus, we cannot be injured. Inside of our circus, we cannot be touched. But we are insane to believe this.」



「Every war is different, every war is the same.」



「A story. A man fires a rifle for many years. and he goes to war. And afterwards he comes home, and he sees that whatever else he might do with his life, build a house, love a woman, change his son's diaper, he will always remain a jarhead. And all the jarheads killing and dying, they will always be me. We are still in the desert.」

1.导演似乎想在这片中延续他在旧作《美国丽人》中所达到的一种严肃主题与喜剧风格并存的感觉。还特地加入了伪纪录片风格来表达对媒介的反思，让人想起《美国丽人》里那个塑料袋。

2.然而，纵使理想相当之丰满，他还是被自己打脸了。这片喜剧风格几乎为零，超现实感虽然遍布全片，但语言数主体所追求的一种“第二真实”背道相驰，再加上剧本后面的节奏实在是在硬生生的拉（就是戏与戏的衔接过差的意思），使得这片实在是入不了我法眼。

3.相比之下，《夺金三王》要好的多，我在想是不是把半纪录片风格换成一条采访的调侃线索拍平衡一下是否后观感更好呢？

4.说起来上一次《美国丽人》也是用一种纪录片风格，不过通过群像戏进行了很好的平衡，并没有让人感到不适，还有种新意。这里，或许真是老马的“散文式”电影让我对此免疫了吧，真的觉得，没必要。

5.吉伦哈尔演技依旧让我觉得很好，他的巅峰期应该就是00年代那个时候吧，现在感觉……

6.话说回来《节选修订》虽然不写实，但是同样的运用本片用过的诸多技法，产生出来的观感和表达的流利度，我个人认为都要比本片高不少啊（虽然《节选修订》有种70年代的老气），可为啥《节选修订》在MTC上评分那么低呢？不对劲～

7.我看《1917》里萨姆踏实了好多啊。果然人是活变的啊。