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　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.绿色香水上班啦！妈妈沼泽大汉风之荥阳对峙边缘人生死对决也许明天青春濛濛旱地忽律朱贵曾经的我们国家反抗者弗里茨·鲍尔2015我和妈妈的最后一年2002年中央电视台春节联欢晚会3B的恋人康福特决案开学吧，博仁少年异域逃离百万元与苦虫女海上谋杀案第一季苏乞儿国语保镖2021虎妈猫爸藏海花抢滩大上海思想验证区域：The Community城市炸弹海军罪案调查处第二十季德云社癸卯大吉相声大会好像有点奇怪功夫状元恋爱与友情之间 Special女老师VS女学生列宁在十月火之通途2012罗米2023唱歌的六个女人武动乾坤毛骨悚然撞鬼经 25周年特别篇舞台姐妹1964希波克拉底誓言