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Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He cries out during a nightmare, waking his mother. "You're a good boy," she's told him. He prays the Stations of the Cross, and he lives out his own sorrowful mysteries.热播电视剧最新电影直面脂肪侦探福斯特第一季盲少爷的小女仆剧版富豪刑事坏本急诊室的故事 第三季Okura~难解事件搜查~宿敌2013我要成为贫民巨星因为爱情有晴天大追捕2008我是阿拉伯人擅长捉弄人的高木同学龙王子第二季男人离婚内裤超人幸福节大冒险微光之城心跳1997大宋悲情帝姬传大路1954女孩帮办公室(澳洲版)后宫之乌海军罪案调查处第十六季
Robert Tucker, a sorrowful, solitary man, given to bouts of weeping, tries to balance his life caring for his aging mother, his Catholicism, his homosexuality, and his dull job. One night, after his mother has gone to bed, he dons leather and heads for a private club. He telephones a tattoo artist with a special request. He goes to confession, accusing himself of despairing. He cries out during a nightmare, waking his mother. "You're a good boy," she's told him. He prays the Stations of the Cross, and he lives out his own sorrowful mysteries.热播电视剧最新电影直面脂肪侦探福斯特第一季盲少爷的小女仆剧版富豪刑事坏本急诊室的故事 第三季Okura~难解事件搜查~宿敌2013我要成为贫民巨星因为爱情有晴天大追捕2008我是阿拉伯人擅长捉弄人的高木同学龙王子第二季男人离婚内裤超人幸福节大冒险微光之城心跳1997大宋悲情帝姬传大路1954女孩帮办公室(澳洲版)后宫之乌海军罪案调查处第十六季
影片主轴的渡船戏提供了核心动机：处在黑暗里的男主角眺望着明亮的城市，却永远也到不了彼岸。几年后的戴维斯比第一部曲时在声画关系上的思考长进不少，几个风格化、梦魇式的场景拍得令人心里一紧。
摄影厉害，各种画面构图
这时候是声画，后一部加上了光影，有意思
Children的繼續，那個羞澀的男孩長大了，甚至已經顯出了疲軟之態，這部短片開始將Children中的外部感受轉移到內心體驗，更多的著墨于男主角的內心掙扎、恐懼、痛苦和渴求，遊走于慾望與信仰之間，而受到兩者的雙重擠壓，一種脆弱的傷感之情和絕望姿態。母親依舊是最溫暖的形象，但她是否能給你安慰？
片名为Madonna and Child，圣母与孩童已经足够说明主题。借用圣母怜悯耶稣之名，来反衬男主角让人悲悯的生活。无论是轮船上的落泪，在教堂的忏悔，还是独自在台球桌旁的饭食，对自我的迷失对未来的无望，都是非常灰色调的氛围营造。
27分钟。
Pray for wanderer, pray for me. Pray for sinner, pray for me. 神圣的罪恶带来了无尽的恐惧，忏悔的谎言得不到终极的救赎。一面在神父前欲言又止，一面是紧抓臀部的画面，言辞如此，心灵那般，声画分离出人与罪人。
貌似特伦斯·戴维斯早期很倾向男同啊，宗教的禁锢、潜伏的死亡和汗淋淋的欲望在梦境里纷呈并惊醒；平移长镜风格尽显，时间的断裂与延续，母子关系的探讨。
gay片。特伦斯·戴维斯的声画分立实验。主角给纹身师打电话与教堂忏悔一段尤为精彩。
終無寬恕。那儀式般的慾望的解放。
27.03
罪惡感。
忏悔与告白。
欲望，宗教，忏悔
开头轮渡上的隐忍哭泣 母亲的好孩子和午夜皮衣夜行的双面人生拍得太漂亮了 后半节教堂重压下的罪与噩梦
声画关系。开场很美，海鸥，离岸的船，倒牛奶的手，酣睡的老母亲，you are a good boy，无法自制的哭泣。演员太棒了，看着他的眼神，就想替上帝宽恕他的一切。
不及主显圣容节成熟，构架上单薄了点。黑白画面、沉缓的运镜以及安静的场景，有浓厚的寂寞和抑郁的焦躁。很喜欢哀哀地恳求刺青师时划过教堂的忏悔镜头。黑暗中给男人口交的场景也让人印象深刻。狭隘的忏悔间里，罪孽套上了人的脖颈，再也解不开。
纹身与教堂，口交和忏悔，欲望的部分拍得好美。
基的尺度比一般gay片都大。。。
探讨男同性恋的宗教信仰折磨和俄狄甫斯情结的作品数不胜数，而这部把其他同类作品远远甩在后面。郁结难解，唯有以泪洗面。