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This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
埃尔维斯与安娜贝尔西游记:张掖寻踪说客风雨西关龙城Y医生:外科医生加地秀树第2季特工艾米拉托赫的舞蹈三只盲鼠 Three Blind Mice圣诞屠杀夜双面胶红死病国家宝藏:历史边缘阴儿2019为你着迷2022圣诞再临擦枪走火大国使命之科技创新城邦护卫队饭后一席谈流言终结者第三季我们需要谈谈AI蜡笔小新灵魂脱离者江湖有道粤语茜茜公主 第二季饮食文化无限斯特拉托斯永远的昨日尖峰时刻3芦苇地歌舞线上梅肯县边线接触蜡笔小新:宇宙人来袭追女仔1981魔兵传奇苏丝黄的世界
7.0(4⃣️),清淡铅黄,摒弃对色彩和灯光的运用,故事本身悬疑趣味并未很好地呈现出来,节奏有些失控,且诸多悬念没有被充分利用,使得剧本缺失些许自圆其说的力度/ 不过很高兴看到Carroll Baker和Ida Galli两位美女在《黛博拉的娇躯》之后再度合作
比不上女主和导演合作的另几部
悬疑度还是可以的
"猎狗对屋子里的一只老鼠说道,跟我到法庭去,我要把你控告,我不睬你的辩解,要把你审判,因为今晨我没事干,所以我要跟你捣捣蛋,老鼠对恶狗说,亲爱的先生,哪有这样的审判,我就是陪审员,我就是法官,狡诈的猎狗说,我要亲自执行审判,我要判处你死刑。"喜欢首尾呼应的,一如既往的童声念白。
遭受心理创伤的人在嫉妒心驱使下制造的连环命案,严格意义上讲不算精分
所以邪教线是个彻底的烟雾弹,emmmm。这部有点40年代B级片的感觉。
酱油小圆子翻译作品第24号。卡罗尔·贝克参演的第四部也是最后一部伦齐电影。有佳句无佳章,不如看一集《今日说法·撒贝宁时间》
各种障眼法烟幕弹
91.35
作为铅黄,不够华丽血腥,绕了一圈才告诉你凶手是谁,但逻辑有些站不住脚。
20210127周三22:10有一度怀疑是女主杀的该不会又是什么精神裂开吧,后来我又改变了质疑,没想到还是逃不开铅黄结局的魔咒注定又是个女杀手!
"Everyone thought the murderer was that English hippy..."
有够平平无奇的,最后凶手是女主的操作倒也不意外...开头雾气缭绕的场景倒是挺特别
不恐怖 节奏快 开始猜管家 后来猜叔叔 医生 也猜想了结尾这种可能(正如推理小说中的诡叙) 问题是细想xie教这条线 更多地是误导观众 放在真凶上有点生硬哑巴女主 童年创伤的设定不错 可以理解为以一种极端的方式 穿越幻象 穿越了最终幻象后 声音得以恢复
可惜了,挺有意思的,本可以更好。
早起一部giallo 略无聊啊
结尾的逻辑也太说不通了吧?一点铺垫都没有,直接就是女主是杀人犯,那她自己怕得要死怎么解释?
这逻辑是不是不太对…而且加泰罗尼亚什么时候起过这么大的雾啊?
真的是无所不用其极地把凶手憋到了最后一分钟,然而你作弊了你知道么,所以这么做又有什么意义呢
精神分裂。Lenzi的御用女演员再发福的话,感觉就像’贝茨‘了。可惜尖叫生硬。雾气渲染,点缀阴森,烘托氛围,堪佳!