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Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.热播电视剧最新电影东京贫困女子诡爱2012空中之城人类清除计划 第二季早间新闻第三季刽子手昂首挺胸激战2015百战天龙第一季温柔安静的女人们黑鸦1急诊男女泰版稀有出口：圣诞传说烽火英雄传快餐车粤语天伦之旅反正要死，就死在巴黎吧。山道弯弯上甘岭1956满愿奶奶的家调香师2022他们死了剧场版 假面骑士利维斯：战斗家族缘之空联邦调查局：国际第一季一屋两火粤语版杀人房间
Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.热播电视剧最新电影东京贫困女子诡爱2012空中之城人类清除计划 第二季早间新闻第三季刽子手昂首挺胸激战2015百战天龙第一季温柔安静的女人们黑鸦1急诊男女泰版稀有出口：圣诞传说烽火英雄传快餐车粤语天伦之旅反正要死，就死在巴黎吧。山道弯弯上甘岭1956满愿奶奶的家调香师2022他们死了剧场版 假面骑士利维斯：战斗家族缘之空联邦调查局：国际第一季一屋两火粤语版杀人房间
“我从不爱你是因为我恨我自己”
“我从不爱你，是因为我恨我自己。”
没想到剧情以外的好
[腾迅][电视电影]沉寂之桥（普通话版）未在影院公映
其实还不错
作为失宠于上帝的孩子，一个哑女却如此有性格和魅力，真是难得。自己的孩子，无论如何都是深爱的，只是可能有时候不是孩子想要的方式。爸爸是对的，无论如何也不能夺走女儿的孩子，那样真的只能是失去她们俩个，这是普通人的理性直觉，不知道为什么妈妈会那么想？真是神奇，一开始就觉得会出事，结果真就出事了...being different is nothing to be shamed of. other people are not such wonderful. they are common as weeds, but you are the blue roses.
when a unicorn loses the horn...
看着有些不舒服。
靠《玻璃动物园》拯救了母女情，玛丽·玛特琳的魅力不输李·莱米克。